Į-flat major was the second-flattest key Mozart used in his music. "E-flat was the key Haydn chose most often for quartets, ten times in all, and in every other case he wrote the slow movement in the dominant, B-flat major." Or "when composing church music and operatic music in E-flat major, Haydn often substituted cors anglais for oboes in this period", and also in Symphony No. However, in the Classical period, E-flat major was not limited to solely bombastic brass music. Mahler's vast and heroic Eighth Symphony is in E-flat and his Second Symphony also ends in this key. The heroic theme from the Jupiter movement of Holst's The Planets is in E-flat major. Another notable heroic piece in the key of E-flat major is Richard Strauss's A Hero's Life. Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Beethoven's (hypothetical) 10th Symphony is also in E-flat. His Eroica Symphony, Emperor Concerto and Grand Sonata are all in this key. The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. So, we’ll show you how to establish the key your melody might be in, how to generate a palette of chords that work with it, then create an example progression using those chords.įrom there, you can vary the sounds you use and change up the rhythm and voicing of the chords to suit your own tastes.Audio playback is not supported in your browser. One perennial issue for songwriters is what to do when they’ve come up with a melody line and need a chord progression to fit it. The chord progressions used in most pop songs are relatively simple, mostly consisting of a cycle of between two and four chords that are diatonic to the song’s key.ĭiatonic means that the chords are made up of notes in the parent scale of the key - so if a song is in the key of E major, say, then the majority of the notes in the melody will be found in the E major scale, and the notes that make up the supporting chords - bar one or two exotic exceptions maybe - will be taken from the E major scale too.
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